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Discover how MRMC Broadcast’s PTA-2 Robotic Head enhances the viewing experience for both fans in the stadium and at home.

Take a closer look at how Nikon Ambassador Joel Marklund uses the Nikon Z9, Nikon NX Field, and MRMC SR-1 Robotic Head to capture the IIHF Ice Hockey World Championships 2025.

Explore how MRMC can help enhance worship broadcasts and help create immersive and personal connections with in-person and online audiences.

The industry has moved from manual jibs to automated ones, and so should you! Learn more about how MRMC created the AJS to fulfil a customer’s request for a fully automated arm controlled using the Polymotion Chat solution and our limited-time trade-in promotion so you can upgrade your jibs for an AJS-2.

In live news broadcasts, capturing every camera angle is essential for powerful storytelling and engaging content. MRMC Broadcast excels in providing innovative motion control tools and robotic solutions to achieve this goal. With a heritage of over 50 years, MRMC collaborates with top broadcasters like ESPN and FOX News to enhance production value and efficiency. From automated StudioBot robotic arms to versatile AFC robotic heads, MRMC's solutions deliver precise, dynamic camera movements. Whether for studio sets, sports, or election coverage, MRMC helps design workflows that boost creative output and meet diverse broadcasting needs.

In today's fast-paced broadcast landscape, the demand for high-quality, dynamic, and engaging content is at an all-time high. Broadcasters and content creators are continually seeking innovative solutions to enhance their productions. Enter the RLS-1 Rail Lift System, a versatile and advanced tool designed to revolutionise the way camera movements are executed in various production environments.

Discover the AFC-180+, a pinnacle in robotic camera technology originally designed for Formula E. With speeds surpassing 180°+ per second, this sleek device offers unparalleled agility. Equipped with a built-in slip ring for seamless rotation, it excels in high-speed sports environments, enabling precise camera synchronization and virtual graphics integration. Despite its motorsport origins, the AFC-180+ is gaining traction in rental houses for its versatile performance, from studio setups to live events. Integration is seamless with the Mark Roberts Protocol and an accessible API.

The new partnership will officially bring together MRMC’s robotic hardware products and Pixelscope’s advanced tracking and autonomous producing software to create a market-leading, end-to-end remote acquisition and production workflow solution, taking sports production to a new level.

The AFC robotic camera system, renowned for its speed, accuracy, and compactness, offering precise shots without compromising quality. Trusted by industry leaders like Gravity Media, its agility and integration with MRMC Pan Bars make it a preferred choice for live environments, including Houses of Worship.

When it comes to producing broadcast-quality productions for events, houses of worship and corporate AV, there are several key bits of equipment that help create a look that viewers of traditionally produced television programming would expect to see. One of the most important of them is the jib.

Broadcasters use robotic arms to enhance their live broadcasts by benefiting from the arm's space-saving design, automated movement, precision, and adaptability to virtual sets. Compared to traditional jibs, customers can leverage this advanced technology, and deliver visually engaging content with greater efficiency and ease.

Having a range of unique camera angles is central to creating and delivering captivating content. In recent years, the PTZ camera has grown in prominence in broadcast, live, and corporate AV productions due to its compact and discreet design. Placed anywhere, these versatile cameras have revolutionized how broadcasters capture and present live events, providing a dynamic and cost-effective solution. 

Central to any successful PTZ production solution is the ability to integrate any combination of PTZ cameras and rails / jib solutions. Connectivity within the system is key, as it allows you to build systems with scale while separating control interfaces.

Introducing camera motion and automated robotics into this workflow offers a different way to approach and manage growing productions. Integrating this technology isn’t as complicated or expensive as one might think. Immediately, camera robotics help production teams expand interest while delivering practical benefits, particularly when integrating with PTZ cameras.

At NAB 2023, MRMC Broadcast will showcase three new products, focusing on sports and studio production in our largest-ever product lineup.

We have brought our innovative technology to Pro-AV and Broadcast to elevate your PTZ production with our automated camera tracking and robotics solutions. Free up your production and operation teams with our Polymotion Chat subject tracking, and dd dynamic movement with our range of rail and jib solutions.

Attendance at ISE and additional reseller appointments mark continued growth for MRMC Broadcast.

In this feature, Assaff Rawner, CEO, talks through how the versatile nature of camera robotics is causing widespread adoption across a diverse range of industries.

Traditional camera tracking systems add complexity and often has ongoing costs. Using X-Y tracking is a cost-effective alternative and has been built in to our product range, including the TRH-1 Track Robotic Head.

While MRMC continually expands on their product range, the QRS (Quiet Rail System) has always been a favourite among customers who are attempting a more creative production, and to provide their viewers with a more appealing and engaging experience

Remote media production is not new but the increasing use of IP technology and the cloud has made its use far more widespread and accessible. In their latest guide, TV Tech brings you the commentary and insight from the professionals on the front lines of M&E technology development and implementation driving this phenomenon.

One of the lesser-known features of MRMC's Polymotion Chat automated tracking system is the ability to daisy-chain multiple systems together for large infrastructure installations.

AFP, who has a partnership with Nikon, installed the Z 9 for the first time in MRMC’s underwater robotics. By operating it in conjunction with the remote-control Nikon NX Field, impressive underwater photography was taken.

When it comes to the Nikon Z9, the important bits are there, 8K, 12 BIT RAW, live 10 BIT HDMI output and Genlock, which I think is unique in a mirrorless camera like this.

With the pandemic expediting remote workflows, interest for camera robotics technology is growing very rapidly. The use cases for robotics across outside broadcast, studios, and even in houses of worship applications are growing, and so is the confidence and understanding in how robotics fit into the bigger picture.

NAB Show announced this week that both Bolt Jr+ and Polymotion Chat won 2 awards for ‘Best new Technologies’ in the ‘Camera, support, control & accessories’ categories at the 2021 NAB Show Product of the Year Awards.

The Agile Remote Camera acquisition marks a really exciting point in the development of MRMC automated camera tracking systems. We at MRMC have long been admirers of the Agile cameras.

As we’ve mentioned in previous editions of the broadcast blog, the MRMC Broadcast team has been working with the Deutsche Fussball Liga (DFL), who are responsible for organising and marketing German professional football. Using Polymotion Player (our automated player tracking system), we enabled the Bundesliga to automatically track and follow an individual star player.

One of the recurring points of discussion that has come up during some of the recent demos of our broadcast studio products has been from customers who currently own a jib, asking if I own a jib, why would I even think about using a robotic arm?

On-site at the Allianz Arena in Munich was an MRMC designed and build POD system, a robotic PTZ system with an integrated Nikon Camera and Lens. The robotic camera was driven by Polymotion Player using the Hego live tracking data supplied live in stadiums across the Bundesliga.

During the 2020/21 football season, the Deutsche Fussball Liga (DFL) is trialling Polymotion Player to track individual players while they’re on the field.