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In live news broadcasts, capturing every camera angle is essential for powerful storytelling and engaging content. MRMC Broadcast excels in providing innovative motion control tools and robotic solutions to achieve this goal. With a heritage of over 50 years, MRMC collaborates with top broadcasters like ESPN and FOX News to enhance production value and efficiency. From automated StudioBot robotic arms to versatile AFC robotic heads, MRMC's solutions deliver precise, dynamic camera movements. Whether for studio sets, sports, or election coverage, MRMC helps design workflows that boost creative output and meet diverse broadcasting needs.

In today's fast-paced broadcast landscape, the demand for high-quality, dynamic, and engaging content is at an all-time high. Broadcasters and content creators are continually seeking innovative solutions to enhance their productions. Enter the RLS-1 Rail Lift System, a versatile and advanced tool designed to revolutionise the way camera movements are executed in various production environments.

ITN is the first production company to deploy MRMC's StudioBot LT as part of ITV overnight general election programme on Thursday 4 July. StudioBot LT is the latest addition to MRMC Broadcast's flagship range of robotic arm solutions, and our most compact robotic arm. 

The new partnership will officially bring together MRMC’s robotic hardware products and Pixelscope’s advanced tracking and autonomous producing software to create a market-leading, end-to-end remote acquisition and production workflow solution, taking sports production to a new level.

The AFC robotic camera system, renowned for its speed, accuracy, and compactness, offering precise shots without compromising quality. Trusted by industry leaders like Gravity Media, its agility and integration with MRMC Pan Bars make it a preferred choice for live environments, including Houses of Worship.

The LLS-1 Light Lift System makes it incredibly easy, and not to mention cost-effective, to add vertical motion to your production. No matter how you need to mount the kit, it can be positioned to capture talent, crowd shots or even seamlessly integrate with your broadcast and virtual productions workflows. 

Broadcasters use robotic arms to enhance their live broadcasts by benefiting from the arm's space-saving design, automated movement, precision, and adaptability to virtual sets. Compared to traditional jibs, customers can leverage this advanced technology, and deliver visually engaging content with greater efficiency and ease.

Having a range of unique camera angles is central to creating and delivering captivating content. In recent years, the PTZ camera has grown in prominence in broadcast, live, and corporate AV productions due to its compact and discreet design. Placed anywhere, these versatile cameras have revolutionized how broadcasters capture and present live events, providing a dynamic and cost-effective solution. 

Increasingly, content creators, sports broadcasters, and news productions aspire to deliver ultimate production quality and unrivaled viewer experiences using new XR technologies. The gold standard of XR-based workflows goes beyond the greenscreen to allow for multi-camera productions that deliver film and commercial quality while maintaining a standard experience for the operators.

Introducing camera motion and automated robotics into this workflow offers a different way to approach and manage growing productions. Integrating this technology isn’t as complicated or expensive as one might think. Immediately, camera robotics help production teams expand interest while delivering practical benefits, particularly when integrating with PTZ cameras.

At NAB 2023, MRMC Broadcast will showcase three new products, focusing on sports and studio production in our largest-ever product lineup.

Every time we attend a trade show or event such as ISE that took place recently in Barcelona, we get a lot of interest in our rail solutions and people always ask about curved rail.

Attendance at ISE and additional reseller appointments mark continued growth for MRMC Broadcast.

In this feature, Assaff Rawner, CEO, talks through how the versatile nature of camera robotics is causing widespread adoption across a diverse range of industries.

In this feature, Marius Merten, Sports Broadcast Manager, MRMC talks through how sports broadcasting can adapt to the demand for more content as we move in to 2023.

While MRMC continually expands on their product range, the QRS (Quiet Rail System) has always been a favourite among customers who are attempting a more creative production, and to provide their viewers with a more appealing and engaging experience

Remote media production is not new but the increasing use of IP technology and the cloud has made its use far more widespread and accessible. In their latest guide, TV Tech brings you the commentary and insight from the professionals on the front lines of M&E technology development and implementation driving this phenomenon.

At IBC 2022, we announced our acquisition of Slidekamera, which brings an even wider choice of motion and robotic solutions to MRMC's broadcast offering. The move cements a long-established development partnership between the two companies.

AFP, who has a partnership with Nikon, installed the Z 9 for the first time in MRMC’s underwater robotics. By operating it in conjunction with the remote-control Nikon NX Field, impressive underwater photography was taken.

When it comes to the Nikon Z9, the important bits are there, 8K, 12 BIT RAW, live 10 BIT HDMI output and Genlock, which I think is unique in a mirrorless camera like this.

The partnership with Cgagns represents an exciting time for MRMC as it seeks to further embed its solutions within virtual and studio production in Singapore and beyond.

NAB Show announced this week that both Bolt Jr+ and Polymotion Chat won 2 awards for ‘Best new Technologies’ in the ‘Camera, support, control & accessories’ categories at the 2021 NAB Show Product of the Year Awards.

The Agile Remote Camera acquisition marks a really exciting point in the development of MRMC automated camera tracking systems. We at MRMC have long been admirers of the Agile cameras.

2020 may have been the year that the pandemic stopped sport dead in its tracks, but 2021 has been nothing short of scintillating in terms of the quality of Sport that has been showcased on our screens.

One of the recurring points of discussion that has come up during some of the recent demos of our broadcast studio products has been from customers who currently own a jib, asking if I own a jib, why would I even think about using a robotic arm?

On-site at the Allianz Arena in Munich was an MRMC designed and build POD system, a robotic PTZ system with an integrated Nikon Camera and Lens. The robotic camera was driven by Polymotion Player using the Hego live tracking data supplied live in stadiums across the Bundesliga.

Our main objective at the event to provide robotic camera heads in keys positions on the production to capture some innovative angles of the players and the dartboard for the TX.