Mark Roberts Motion Control

The Longest Reaching High Speed Cinebot | The latest edition to our high-speed robotics family, Bolt X, is now available on track. With its already incredible reach of 3.1m and 5m of vertical travel, you can now add yet another axis of movement giving creatives an unparalleled range of creativity. Watch the short demo of […]

At this year’s IBC Show we’ll be showcasing our range of automated solutions and high speed robotics. Split between two locations, hall 10, stand D.26 will feature a range of innovative multi-camera automated systems, including Polymotion Stage, Polymotion Chat and Polymotion Player, as well as the Nikon Z series camera range. Whilst in hall 12, […]

Polymotion Stage | In partnership with Sky Sports, Polymotion Stage launched during the 148th Open at Royal Portrush, with many of the world’s top golfers being amongst the first to be filmed. The players are in and out of the Polymotion Stage within minutes, enabling Sky Sports to use their digital duplicate during broadcast for […]

Steve Giralt in Action with the Bolt Cinebot | Photographer, Director and Visual Engineer Steve Giralt gives a tour of his studio and talks about the incredible robotics he uses to create his work. His New York studio is like Iron Man’s workshop, equipped with a range of robotics (including Bolt), Steve creates various mechanisms, […]

BOLT HIGH SPEED CINEBOT IN ACTION! | Enjoy this collection of high speed work from a variety of production companies and cinematographers from around the world. Whether shooting high speed table-top work, film, TV or commercials, the Bolt High Speed Cinebot is the industry choice for professionals. | Credits: – Dianli – Shooting Gallery Asia – […]

Article from vfxvoice.com |  THE ART OF REPLICATION | Soon to begin its sixth season, Marvel’s Agents of S.H.I.E.L.D. on ABC regularly features long takes. One such shot occurred in Season 2’s “S.O.S. Part 2” episode, when the character Daisy (Chloe Bennet) takes on the Inhuman Alisha (Alicia Vela-Bailey), who replicates herself into multiple ‘twinned’ versions. […]