Case Studies

Some Examples of Work

MRMC’s range of robotic systems and solutions are used by companies all over the world, with installations in nearly every continent. From motion control robotics, volumetric capture and broadcast solutions to automated product photography, our image capture solutions are at the cutting edge of robotics development. Below are just some of the client’s we’ve worked with and the systems they have implemented. Case studies categories include:

MRMC’s range of robotic systems and solutions are used by companies all over the world, with installations in nearly every continent.

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All Motion Control Broadcast Solutions Volumetric Capture MrMoco Rentals Showbolt Product Photography

SR-1 Transforms Live Concert Filming

Explore how the SR-1 Small Robotic Head paired with the Nikon Z 9 offered a new take on live filming at the BLACK IRIS WEEKLY LIVE Concert.

How The Studiobot XL Was Used During The Paris Summer Games

When the opportunity to take space at the Broadcast Centre for The Paris Summer Games emerged, Nine worked alongside AE Live and MRMC to create a hybrid production model that balanced the need for on-the-ground presence with cost-effective remote operations using the Studiobot XL.

Sky Italia Choose MRMC AJS-2 Advanced Jib System

As MRMC Broadcast continues to develop innovative solutions designed to ease operations and enable broadcasters to capture new camera angles, Blutek Srl, the MRMC Italian representative, has led a deal with Sky Italia to install and supervise the integration as MRMC’s AJS-2 Advanced Jib System.

ITN Deploys StudioBot LT

ITN was the first production company to deploy MRMC's StudioBot LT as part of ITV overnight general election programme on Thursday 4 July 2024. The StudioBot LT is the latest addition to MRMC Broadcast's flagship range of robotic arm solutions, and their most compact robotic arm. Scheduled for release at IBC, this was the first time it has been used in a live programme of this kind and was used in bridging shots between the two main ITV studios being used on the night.

Pioneering Green Screen Production And Live Event Streaming

Nestled in the picturesque countryside of Henley-on-Thames, Oxfordshire, a pioneering project is transforming green screen studio services and live event streaming. This venture is setting new standards in precision, efficiency, and client satisfaction by leveraging MRMC's camera robotic technology, including the cutting-edge AFC-100 robotic head and the QRS-1 Quiet Rail System.

Streaming The Korfball Finals With The AFC-180+

Experience the seamless fusion of cutting-edge technology and passionate sportsmanship in the broadcast production of the Korfball Finals, powered by the AFC-180+ Robotic Head, Black Magic Ursa camera, and Vmix software. Witness the meticulous orchestration of camera presets, tailored for comprehensive coverage, as operators navigate the equipment with precision. Join a global audience as the event streams live on YouTube, showcasing the power of advanced products to elevate niche sports like korfball to new heights of recognition and engagement.

Prestonwood Baptist Church Unlocks The Beauty Of Broadcast

With more than 59,000 members, Prestonwood Baptist Church chose to expand its broadcast services in 1999 under the banner of PowerPoint Ministries. This laid the groundwork for what would become a cornerstone of its outreach efforts, and in January 2024, Prestonwood's most recent upgrade was complete, featuring MRMC robotics in 15 of its 18 camera positions. In this indepth case study, Bryan Bailey, Director of Media at Prestonwood takes us on Prestonwood’s journey, discussing the decision to expand it robotics setup, and the impact this has had, particularly on the volunteers at the church.

The Kilden Theater and Concert Hall

Experience the cutting-edge Quiet Rail System-1 (QRS-1) by Mark Roberts Motion Control (MRMC) at Kilden Theater and Concert Hall, sponsored by Danmon. Witness the seamless integration of this robotic rail system with a camera dolly, tested during a concert recording by the Kristiansand Symphony Orchestra. Join representatives from MRMC, Creative Technology, and Norsk Produksjon to explore the potential of the QRS-1 for enhancing live productions.

Gravity Media Choose AFC-180+ for Goodwood Festival of Speed

For the 2023 Festival of Speed, Gravity Media chose to use the MRMC AFC-180+ robotic heads to elevate the quality of the broadcast and deliver outstanding camera angles that would otherwise have been difficult or dangerous to capture.

MRMC's Robotic POD & Nikon Z9 Camera

On one of the biggest stages in the world, MRMC yet again showcased their versatility and state-of-the-art technology. In collaboration with AFP (Agence France Presse), the versatile Robotic POD housed the Nikon Z9 camera to capture images of the most famous football players in the world.

Al Jazeera Excels in Creative Production

To celebrate its 25th anniversary Al Jazeera wanted to continue in its objective to push the boundaries in storytelling. When they came to build a new studio infrastructure that integrates technology at the cutting edge of broadcast, Al Jazeera chose MRMC’s StudioBot XL robotic arm to replace its manual dolly/crane-based workflow.

AJS-1 AUTOJIB SYSTEM - TRIUMPH CHURCH CASE STUDY

The desire to streamline their operations, lead to consultation with Triumph’s systems integrator partner, Key Code Media and then to MRMC Broadcast to see if there was a solution that could help. MRMC’s Auto Jib System, ASJ-1 fit the bill. Previously, the production team used a traditional crane, operated by several production staff to capture over crowd shots and wider shots of the stage. This automated jib-arm system is designed for reliable use in live event productions.

BAYERISCHER RUNDFUNK – STUDIOBOT CASE STUDY

Bayerischer Rundfunk is a public-service radio and television broadcaster, based in Munich, Germany. They decided to incorporate robotics and automation into their workflow building on the many years of experience they have had using camera robotics in their studios. The Studiobot was already proven in other studios of the ARD (SWR and NDR), and so they decided to add a Studiobot

POLYMOTION PLAYER BUNDESLIGA CASE STUDY

The DFL wanted to create an automated camera system that is able to track, follow and focus on one particular player during a match. The goal was for the camera to capture a player from head to toe, and follow him throughout the match everywhere he turns using tracking data, by using a fully automated system.

OSLO STREAMINGSENTER – POLYMOTION CHAT

Recently Oslo Streamingsenter launched a new streaming centre in Oslo, and following a recent studio upgrade, they wanted to install a system that would enhance the content they capture with their PTZ’s making the shots higher quality and more dynamic. One of the challenges they want to solve was the requirement for automation to make their services more efficient, cost-effective without compromising quality. Following consultation with MRMC Polymotion Chat was recommended a solution to their challenge.

LONDON LIVE: AFC 100 & STUDIOBOT

London Live is a local TV channel based in London, England. The channel transmits local news, current affairs, sports, arts, events and entertainment and was launched on the 31st March 2014. MRMC and London Live began discussions around ways to employ motion control robotics to realise a radically different approach to broadcast studio content acquisition and workflows.

AFC 100 AND MHC SOFTWARE DELIVER IMPROVED USER EXPERIENCE

Compared to other equipment we have used, the MRMC robotics are high-quality products and the MHC software has a lot of potential for us going forward. We recently introduced two of MRMC’s AFC 100 heads into our 8-camera set-up, which we use to film services at the Grace Church in Maryland Heights, MO, as upgrades for an older PTZ system.

ROBOTIC POD – 2021 US INAUGURATION CASE STUDY

How do you cover an event that photographers can’t access? Joe Biden’s inauguration would be a ceremony like no other as for the first time in history, patrons were banned from attending the event due to the high-risk security situation that arose from the storming of the capitol by protestors. MRMC’s robotic pod were designed for remote photography & video capture and were able to put cameras where it wouldn’t be safe – or permitted – for photographers to go to capture the crucial shots.

MRMC / NIKON RED SOX CASE STUDY: ROBOTIC POD

During the covid-19 outbreak, social distancing mandates were put in place to ban patrons at major sporting events. Professional photographers were restricted access to normal shooting positions, eliminating key positions for shooting game coverage. Eliminating shooting positions means missing key action and important moments telling the story of an MLB game. All of this results in poor fan engagement.

ROBOTIC POD M2 CASE STUDY: DIE WELT PROJECT

WELT (the biggest privately-owned news channel in Germany) who broadcast content 24 hours a day and based in Berlin, wanted to show panoramic views of the city as part of their daily broadcast segments. They wanted to feature live footage of the city’s iconic buildings such as Berliner Fernsehturm, so they teamed up with MRMC and Qvest Media, to provide a solution.

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