Case Studies

Some Examples of Work

MRMC’s range of robotic systems and solutions are used by companies all over the world, with installations in nearly every continent. From motion control robotics, volumetric capture and broadcast solutions to automated product photography, our image capture solutions are at the cutting edge of robotics development. Below are just some of the client’s we’ve worked with and the systems they have implemented. Case studies categories include:

MRMC’s range of robotic systems and solutions are used by companies all over the world, with installations in nearly every continent.

BOLT™ MINI MODEL MOVER USE CASE STUDY WITH LÉMA SLOW

LÉMA Slow are a France based production company specialising in Motion Control & slow motion visual effects. Creating high-end content for many big brands, the team was one of the first companies to get their hands on the new Bolt Mini Model Mover 6-axis arm, putting the new system through its paces and testing it out in a variety of creative scenarios in their Bordeaux based studio.

MILO & YELLOW DAYS COMMERCIAL CASE STUDY

Cross section camera transitions are always a winner on the screen. Couple them with motion control for a carousel-like edit and you’ll get one of the simplest, most effective visual effects. Based on this principle the Yellow days’ music video “how can I love you?” used a camera that travels vertically 15 floors underground witnessing 15 different changes of scenarios all set in a room.

THE RISE OF MOTION CONTROL IN VIRTUAL PRODUCTION

The successful adoption of Virtual Production techniques in high-end productions, such as Disney’s Mandolorian, has initiated a surge in interest in this industry-changing technology. RiTE Media are at the cutting-edge of this creative revolution, working closely with Epic Games, the developer of the Unreal Engine – the real-time 3D creation tool that is powering virtual production advancements. Through their development of new tools, techniques and by integrating motion control robots, they have broken new ground in virtual production.

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