Tag Archives: Titan Telescopic Arm
We’ll be at Cinegear Expo in LA on the 2nd and 3rd of June where will be teaming up with our friends Camera Control Inc. We will have the Titan on display – the largest telescopic motion control arm in the world! (8.7m arm reach). The Titan has been used for Hollywood features such as Pan, Kingsman (first and second), and others as well as for commercials and music videos.
We will also have the fastest camera robot in the world, the Bolt High-Speed CineBot, on the show.
So don’t miss out, come visit us at Booth 15 at the show.
Brain Candy Films were tasked by creative agency Tinker Taylor to create an epic film for the police to be shown in cinemas nationwide. The filmmakers decided to put the viewer right in the heart of the action, giving them a first hand insight into the demanding and diverse role of modern-day policing. They wanted to give the audience a unique view into the extraordinary job that police officers do and they chose a rather extraordinary way to do it.
The film shows four frozen moments in time. Each moment is seen as a single, continuous shot that allows the viewer to take in every glorious detail, taking you on a journey through a singular, explosive moment. This approach allowed the filmmakers to put the viewer right in the middle of the action, highlighting the cohesive efforts of the police and all the officers involved at one crucial moment in time. They achieved this effect with the help of motion control
Motion control was used in three of the scenes to move through the frozen action in a smooth, fluid path, making it possible to drip feed information to the viewer and allowing each scene to slowly unravel until the big picture comes into focus. The films use cinematic visuals to grab the audience’s attention but they feel grounded in realism with meticulous production design. Everything from the props, to the costumes and the lighting gives the feeling that you’re witnessing a real moment in time. Careful and precise art-direction and seamless CGI effects give complete authenticity to the scenes.
One of Brain Candy’s main aims with the film was to capture a much in camera as possible and rely on CGI as little as possible. The level of precision that motion control provides meant that they could fill the frame with real details and just use CGI to supplement what was already there, with a few exceptions! CGI was superbly handled by Manchester based Flipbook Studios and the fact that they were able to do multiple passes meant that they had clean plates, which dramatically reduced the VFX workload.
Three of the four scenes were shot on Alexa using motion control rigs supplied by Mark Roberts Motion Control, with the fourth scene being shot on steadicam with the RED Dragon. Cinematographer James Stoneley chose to use a combination of the Talos and Titan motion control rigs on the shoot, as each of the scenes had its own unique challenges. The reason the filmmakers chose to use motion control is that it allowed the camera to follow a perfectly orchestrated, pre-determined path through the action. They were able to cover huge areas, change camera level & repeat the move perfectly – making tweaks every pass until happy.
The mighty Titan was used in two of the four scenes, the Raid and the Riot, where the filmmakers needed the full 9 metre extension to cover a lot of ground. The Titan is unrivalled in its size and this made it possible to convey a sense of scale in the scenarios that was imperative to create the sense of a cohesive effort between the police and the community. For example, in the Raid scene the camera booms out of the back of a van, passes along a street, around a corner, down an alleyway and up passed a team of armed police officers on a fire escape, before descending back to ground level to land on a person being arrested. All in one shot. There is simply no other tool that would have been able to achieve this.
James Stoneley, cinematographer and Creative Director at Brain Candy Films, commented on a particularly tricky scene:
"I have worked with the Talos before so it was an obvious choice for the House scene. The scene was shot on set but space was still a consideration because of how we chose to film it. In order to make it feel like we’re really stuck in the corridor with the officers in the midst of the commotion, we wanted the camera to physically be inside the walls of the set and we also wanted to be able to look back at the end of the scene and see the corridor walls. This meant building a set with a “floating” wall that could be swung in and out of the set, allowing the Talos and camera to pass through the corridor where the wall ends up. This took some careful choreography from our stage hands!"
The four individual films are playing in cinemas across the country in over 800 feature presentations.
Brain Candy’s website – braincandyfilms.com
Last month our rental department headed to Italy for Milan Fashion Week, the third stop of the fashion month marathon. The office was left completely bare with all the motion control rigs on the catwalk for designer Philipp Plein’s unveiling of his women’s Spring/Summer 2016 collection.
The attendees showed up in their glad rags and so did the rigs, having been wrapped head to toe in white for the occasion. The show consisted of a 30m conveyor belt that the models travelled along while the rigs scanned them, passed them sunglasses, mirrors to check themselves out and handbags to complete their look.
Our largest telescopic motion control crane, the Titan took control of the entire show appearing to run a touch screen that selected the programs that the models would go through along the production line. While several fashion shows happen each evening over the week, Philipp Plein’s show stole all the headlines on the opening night of Milan Fashion Week and was picked up by all the major fashion magazines and newspapers.
Watch this fascinating behind the scenes video for a Honda commercial. It was a challenging advert to create, requiring some clever ingenuity. Our Titan arm provided a great solution to help create the visually captivating video!
At NAB we showed countless demonstrations and met many fantastic people. For us the show is a great opportunity to make new friends, meet old acquaintances and of course showcase all the latest developments we’ve been working on here at Mark Roberts.
In case you missed us there, or perhaps just didn’t get a chance to get out to the event, we’ve put together a final overview of what went down. To get a glimpse of the technology behind our newest camera tracking technology check out the photos below and watch the short video above with our Managing Director Assaff Rawner. The video was generously created by IABM (International Association of Broadcasting Manufacturers).
The longest and only telescopic moco arm in the world designed and created by Mark Roberts Motion Control was unveiled in 2012. The Titan is the first precision telescopic motion control arm. Fitted to a Milo or Cyclops the reach and maximum height is more than any other motion control rig available anywhere. We have had it out and about around London, shooting at a pool side at a lido, in the field at an allotment and in and out of a few studios too. For the latest Channel 4seven ident we set the rig up on a 1.5m high platform on 36m of track. Below is a time-lapse of the shoot and also the completed ident. Because of the precise nature of the move required to enable the fold effect, the camera moves were prevized in Maya, then imported to the rig. The behind the scenes moving time-lapse shots were taken using our DSLR moco head, the SFH-30.
The Titan was also used on this Virgin Media commercial where we shot multi passes of David Tennant fighting himself. The extend of the Titan, with its close to 7m of travel was the only axis used in this pull back. Using the Titan meant we did not need to lay track in frame that would have to be taken out in post later or have the track interfere with the actors movement.
For more information on the Titan click here