Tag Archives: Automated Image Capture
This year we will have a range of high tech robotics on the IBC stand, We have expanded our booth size, so we can include more robotics for you to test and have live demonstrations.
Due to popular demand, the Bolt High-Speed CineBot on track returns to IBC, and we will be offering IBC visitors a very interesting video experience – so visit the stand to find out – and bring your mobile phones!
Joining Bolt on the stand is the multifunctional MRMC StudioBot – a complete studio automation robotic solution with up to nine axes of synchronised motion – offering broadcasters an efficient fully automated work flow.
Stand visitors can also ‘road test’ the AFC-100s PTZ, ideal for a multitude of broadcast studio applications
MRMC’s Robotic Pod™, the next generation remote capture unit, for sports, events and other live broadcasts, and The high speed, completely silent Whisper Head, a small compact unit with a diverse range of applications, such as live shows, corporate events, house of worship or for security and surveillance. These robotic solutions raise the bar in broadcast with an impressive array of advanced broadcast camera head features, automation and functionality.
These camera heads are controlled on the MRMC stand, through two software applications – Flair and MHC (multi head controller) – visit our stand for demonstrations of MHC controlling multiple robotic heads from a single console.
Get your pass for FREE if you register before August 18th, 2017 by clicking here – or if you miss the deadline, use our complimentary registration code 4927 to get a free ticket.
Visit our stand: Hall 12, F11.
Location map: click here
Robotic Pod at Cannes Film Festival Captures Incredible Photos
FOR THE SECOND YEAR RUNNING, AFP (ASSOCIATED FRENCH PRESS), HAS USED THE ROBOTIC POD TO CAPTURE STUNNING IMAGES FROM A LOCATION THAT IS COMPLETELY INACCESSIBLE TO PHOTOGRAPHERS DURING THE FESTIVAL.
Using the Robotic Pod, fitted with a modified Nikon D5 and 80-400mm lens, AFP could easily zoom in on the stars as they made their way down the red carpet and capture photos that would be virtually impossible to capture otherwise. The Robotic Pod has three axis of movement, which allowed AFP to frame each picture precisely, all from a remote location far away from the red carpet. Given the Pod’s ability to be controlled over IP, photographers can be located at any remote location and have complete control over the Robotic Pod. As an example, back in 2014, during the Sochi Winter Games, AFP controlled one robot (mounted high up on the mountains ski slopes), from their press centre over 50km away in real time.
A UNIQUE ANGLE IS IMPORTANT TO STAND OUT FROM THE CROWD, THE SHOT ABOVE SHOWS 100’S OF PHOTOGRAPHERS CAPTURING THE SAME IMAGE. THE ROBOTIC POD HOWEVER, ALLOWED AFP PHOTOGRAPHER ANTONIN THUILLIER TO CAPTURE THE ANGLE ABOVE THE RED CARPET.
The Robotic Pod’s ability to capture unique and incredible images was instantly demonstrated at the Cannes festival, when Rihanna used one of the images caught by the Robotic Pod, on her Instagram feed (with 53 million followers), to show her arriving at the event.
Using the Robotic Pod at red carpet events and other shows has a number of interesting benefits, not only in terms of capturing unique images, but also in terms of photographers’ time – with the robot installed in advance, photographers won’t need to stand around for hours waiting for the celebrities to arrive.
It’s also possible to pick elevated angles that will give a clean background – or in some of the photos you can see here, use other guests and photographers as the background. The Robotic Pod also offers an incredible level of repeatability, so the same shot of each and every celebrity can be easily captured.
For more information on the Robotic Pod click here
All photos courtesy of Associated French Press.
World famous Christie’s auction house needed a bespoke automated photography solution to take photos of different pieces of flat art. We designed and built a vertical wall mounted robotic slider to solve their problem.
The London auction house needed to capture paintings, watercolors, prints, posters, photographs and other flat art on a DSLR camera, where the camera was restricted to only moving up and down vertically – similar to a a large copy stand…