Why Practical Effects Still Matter
Over the past year, AI has taken centre stage in advertising. Being fast and cheap, it has become an attractive option for brands. Yet many of the most high-profile campaigns have failed to land, with work like McDonald’s AI holiday ads and Svedka’s Super Bowl spot criticised for feeling synthetic and unconvincing. Against that backdrop, Apple TV’s new visual identity takes a different approach. Built entirely from real glass and captured in camera, it returns to the fundamentals of filmmaking craft, and shows how motion control can support practical effects at the highest level.
Over the past year, AI has taken centre stage in advertising. Being fast and cheap, it has become an attractive option for brands. Yet many of the most high-profile campaigns have failed to land, with work like McDonald’s AI holiday ads and Svedka’s Super Bowl spot criticised for feeling synthetic and unconvincing. Against that backdrop, Apple TV’s new visual identity takes a different approach. Built entirely from real glass and captured in camera, it returns to the fundamentals of filmmaking craft, and shows how motion control can support practical effects at the highest level.
Apple Vs AI
In contrast to recent AI campaigns that have felt unconvincing, Apple’s in-camera approach highlights the enduring value of practical effects with motion control.
For these idents, we worked closely with the production through our rentals division, MRMOCO Rentals, using the small and and ultra-precise Bolt Jr Plus to help shape a fully in-camera approach.
The setup centred around layered sheets of glass and carefully controlled lighting. The camera move was designed to travel through the material before rising and rotating, shifting perspective while maintaining precise alignment between the lens and light.
This is where motion control becomes essential. The ability to repeat and refine the move allowed the team to build the effect gradually across multiple passes, aligning camera position, lighting and timing to create the slow, evolving swirl of colour.
Lighting was mounted directly to the arm of the Bolt Jr+, giving a high level of control over reflections and refractions as the move played out. Small adjustments in angles or timing could be tested and repeated instantly, making it possible to shape the transition accurately. This approach allowed the colour to draw back towards Apple’s original rainbow palette before resolving cleanly into the white logo.
Why it works
When light interacts with real materials, the results carry a natural complexity that is difficult to replicate. Reflections behave as expected, colour has depth, and movement feels physically grounded.
These are details that audiences may not consciously analyse, but they recognise them. The overall image feels more believable, and in turn more engaging.
On a project like this, the role of motion control is not to dominate the image, but to provide the consistency and precision needed to execute the idea properly. It allows filmmakers to refine, repeat and push practical techniques further than would otherwise be possible.
A contrast in approach
This focus on craft stands in contrast to the number of recent AI-led campaigns from large corporations.
Coca-Cola’s return to its Christmas advertising, created using AI, drew criticism for inconsistent visuals and a lack of emotional connection. McDonald’s AI-generated Christmas spot in the Netherlands was pulled shortly after release, with feedback pointing to uncanny characters and a tone that felt off.
Even outside of major campaigns, AI-generated food content has been widely discussed for its inability to convincingly represent textures and human-interaction. Simple moments, such as a bite into a burger, often fall apart under scrutiny, saving a few thousand dollars in production costs and losing a few million dollars in ad revenue.
AI will continue to be part of the industry, and it will no doubt find its place within the creative process. However, recent reactions show that audiences are still highly sensitive to how something is made.
Craft still carries weight
Practical effects require a different approach. They demand planning, testing and a clear understanding of how materials, light and movement will behave together.
That process can be more involved, but it leads to work that feels more grounded and deliberate.
In the case of the Apple TV idents, the decision to work with real glass and in-camera techniques is central to the final result. The colour transitions feel natural, the reflections are consistent, and the overall image has a sense of depth that supports the brand’s cinematic positioning.
Not only that, but it sets the tone for Apple. Every time viewers see the idents, they see a company who values human ingenuity and crafting stunning visual-effects, which puts them far ahead of the curve as a competitor in an increasingly AI-led world.