MRMC is returning to NAB Show at the Las Vegas Convention Centre this April to demonstrate some of the most innovative technology from the world of camera robotics and integrated broadcast solutions. Exhibiting alongside group companies Nikon and RED, MRMC will highlight its solutions designed to enhance efficiency and creativity in live production, filmmaking, and virtual production workflows.
MRMC is returning to NAB Show at the Las Vegas Convention Centre this April to demonstrate some of the most innovative technology from the world of camera robotics and integrated broadcast solutions. Exhibiting alongside group companies Nikon and RED, MRMC will highlight its solutions designed to enhance efficiency and creativity in live production, filmmaking, and virtual production workflows.
Get hands-on with MRMC in Booth N2038
The product line-up will be showcased in the North Hall, Booth number N2038. If you would like a complimentary pass to the show please use code: NS6898 when registering on the NABshow registration page.
Through live demonstrations and interactive sessions, we invite you to explore real-world applications of cutting-edge technology. Featured equipment includes the Slidekamera by MRMC Atlas & Bullhead, Nikon SR-1 (Small Robotic Head) on the new Orion Slider, and the Cinebot Mini on Track for cinema applications. This immersive interactive showcase highlights the power of motion control and robotic precision in professional content creation.
MRMC Broadcast
Introducing the RPS Roaming Pedestal System
The RPS is a next-generation free-roaming camera platform designed for high-end broadcast studios. Designed for flexibility, the RPS can be configured with either a lift column (RPS-C2) or an articulated arm (RPS-LT) to suit different production needs and provides smooth, on-air-worthy motion. Intelligent choreography and built-in collision avoidance ensure multiple units can operate safely within a studio with seamless movement enabling broadcasters to achieve dynamic and previously challenging camera angles with ease and complete creative freedom.
The RPS is a next-generation free-roaming camera platform designed for high-end broadcast studios. Designed for flexibility, the RPS can be configured with either a lift column (RPS-C2) or an articulated arm (RPS-LT) to suit different production needs and provides smooth, on-air-worthy motion. Intelligent choreography and built-in collision avoidance ensure multiple units can operate safely within a studio with seamless movement enabling broadcasters to achieve dynamic and previously challenging camera angles with ease and complete creative freedom.
The StudioBot XL is a 9-axis robotics system with a large operating envelope that offers superior visual creativity to traditional dolly systems. With a high payload capacity and the ability to carry full size teleprompters, the XL supports a wide range of creative shots.
Offering all the benefits of integrating with studio automation and 3D graphics systems, the StudioBot XL creates a vast range of programmable and repeatable shots for studio environments.
The StudioBot XL is a 9-axis robotics system with a large operating envelope that offers superior visual creativity to traditional dolly systems. With a high payload capacity and the ability to carry full size teleprompters, the XL supports a wide range of creative shots.
Offering all the benefits of integrating with studio automation and 3D graphics systems, the StudioBot XL creates a vast range of programmable and repeatable shots for studio environments.
The AFC is the most versatile robotic head available. Designed to deliver speed and accuracy, the AFC features a small footprint that makes it the perfect choice for getting smooth, precise shots without compromising picture quality.
With the high demand of any live production environment, the AFC robotic camera system provides quiet, fluid pan/tilt movements every time.
The AFC is the most versatile robotic head available. Designed to deliver speed and accuracy, the AFC features a small footprint that makes it the perfect choice for getting smooth, precise shots without compromising picture quality.
With the high demand of any live production environment, the AFC robotic camera system provides quiet, fluid pan/tilt movements every time.
The PTA-2 is a robotic camera platform specifically designed for supporting heavier broadcast cameras and lenses in studio applications. MRMC also offers a variation, the PTA-2B designed to carry heavy-payload box lenses to be used in sports productions.
Pair with MRMC robotic columns or rails to get smooth motion with quiet operation, ideal for studio and remote production.
The PTA-2 is a robotic camera platform specifically designed for supporting heavier broadcast cameras and lenses in studio applications. MRMC also offers a variation, the PTA-2B designed to carry heavy-payload box lenses to be used in sports productions.
Pair with MRMC robotic columns or rails to get smooth motion with quiet operation, ideal for studio and remote production.
The RLS Rail Lift System expands MRMC’s PTZ enablement solutions by combining vertical lift with a side-to-side motion. Along with the pan/tilt of a PTZ, this solution provides a versatile and cost-effective method to deliver 5-axis of motion. With a range of height configurations, the RLS can comfortably capture sitting and standing shots without reconfiguration.
Quickly reconfigurable from floor to ceiling, the RLS also has genlock sync input to allow synchronised FreeD positional data to be output, enabling its use with virtual graphics systems.
The RLS Rail Lift System expands MRMC’s PTZ enablement solutions by combining vertical lift with a side-to-side motion. Along with the pan/tilt of a PTZ, this solution provides a versatile and cost-effective method to deliver 5-axis of motion. With a range of height configurations, the RLS can comfortably capture sitting and standing shots without reconfiguration.
Quickly reconfigurable from floor to ceiling, the RLS also has genlock sync input to allow synchronised FreeD positional data to be output, enabling its use with virtual graphics systems.
The ARC-UHD offers support for Ultra-High Definition (UHD) and High Definition (HD) output video rates at up to 60Hz progressive frame rates. The camera can support simultaneous output of SDI over coax and fibre for flexibility of adoption into existing infrastructure and workflows.
The ARC-UHD offers support for Ultra-High Definition (UHD) and High Definition (HD) output video rates at up to 60Hz progressive frame rates. The camera can support simultaneous output of SDI over coax and fibre for flexibility of adoption into existing infrastructure and workflows.
The SR-1 Small Robotic Head is a new pan-tilt head for professional photography and videography. Designed to be used in locations that are difficult for camera operators to access, this next-generation, remote production tool enhances the creativity of shots, helps capture new angles and achieve shots that would be ‘impossible’ by hand with ease.
The SR-1 Small Robotic Head is a new pan-tilt head for professional photography and videography. Designed to be used in locations that are difficult for camera operators to access, this next-generation, remote production tool enhances the creativity of shots, helps capture new angles and achieve shots that would be ‘impossible’ by hand with ease.
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Motion Control & Virtual Production
Behind the Scenes With Steve Giralt
MRMC’s Motion Control team will be collaborating with renowned visual engineer Steve Giralt who will demonstrate how MRMC’s Cinebot Max camera robot and virtual production have revolutionised product commercials. During a live behind-the-scenes showcase, attendees will experience a mini studio engineered for high-impact, slow-motion food cinematography. Visitors will witness the Cinebot Max robot in action, precisely triggered to execute dynamic scenes—whether smashing, pouring, or slicing food. This interactive demonstration offers an engaging look into the innovative technology shaping modern content creation.
The Cinebot Range
Cinebot Max
Cinebot Max
The Cinebot Max expands on the Cinebot Mini with a higher payload, extended reach, and greater range of motion. Designed for ease of use, it supports up to 20kg (44 lb), reaches 3.2m (9.8 ft) in height, and extends 1.75m (5.7 ft). It offers precise, smooth camera control and fluid tracking shots, enhanced by the innovative Push Moco™ interface, which allows operators to manually keyframe movements in a motion control setup.
Record or input moved directly from a mobile phone, offering flexibility and convenience in controlling the robot. Designed with simplicity in mind, the Cinebot Max provides easy control for creatives or directors, maximising efficiency on set.
The Cinebot Max expands on the Cinebot Mini with a higher payload, extended reach, and greater range of motion. Designed for ease of use, it supports up to 20kg (44 lb), reaches 3.2m (9.8 ft) in height, and extends 1.75m (5.7 ft). It offers precise, smooth camera control and fluid tracking shots, enhanced by the innovative Push Moco™ interface, which allows operators to manually keyframe movements in a motion control setup.
Record or input moved directly from a mobile phone, offering flexibility and convenience in controlling the robot. Designed with simplicity in mind, the Cinebot Max provides easy control for creatives or directors, maximising efficiency on set.
The Cinebot Mini mocobot is a compact motion control robot for high-end live-action shooting. Purpose-built for ease-of-use, and extremely portable, the lightweight system is designed to simplify shooting situations, on set, on location or in a studio, while still delivering professional-level motion control work.
Cinematographers can hand-hold the camera in various positions, and the robotic arm will record them. They can also push the track (PushMoco®) like a standard dolly, and this movement can be recorded and played back.
The Cinebot Mini mocobot is a compact motion control robot for high-end live-action shooting. Purpose-built for ease-of-use, and extremely portable, the lightweight system is designed to simplify shooting situations, on set, on location or in a studio, while still delivering professional-level motion control work.
Cinematographers can hand-hold the camera in various positions, and the robotic arm will record them. They can also push the track (PushMoco®) like a standard dolly, and this movement can be recorded and played back.
The ORION Slider is a versatile tool designed for content creators who require a highly stable yet portable solution. Lightweight and portable, the ORION Slider is particularly well suited to on-the-go applications.
Combine with a remote head to create an ideal solution for videographers who need a flexible motion control system for any set — whether in a studio, on location, for interviews, live shows, or product packshots.
The ORION Slider is a versatile tool designed for content creators who require a highly stable yet portable solution. Lightweight and portable, the ORION Slider is particularly well suited to on-the-go applications.
Combine with a remote head to create an ideal solution for videographers who need a flexible motion control system for any set — whether in a studio, on location, for interviews, live shows, or product packshots.
The ATLAS SLIDER is the most versatile slider available on the market. Its modular design means it can upgraded and expanded to suit any range of application, manual or powered. It can carry up to 40KG payload and offers precise mechanics as a fully equipped motion control system. Perfect for studio and stage, the ATLAS SLIDER comes with a range set-up options, customised to meet specific demands.
The ATLAS SLIDER is the most versatile slider available on the market. Its modular design means it can upgraded and expanded to suit any range of application, manual or powered. It can carry up to 40KG payload and offers precise mechanics as a fully equipped motion control system. Perfect for studio and stage, the ATLAS SLIDER comes with a range set-up options, customised to meet specific demands.
